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Silencing Ophelia: Male Aurality as a Controlling Element in Olivier's Hamlet
Silencing Ophelia Male Aurality
2009/12/4
In nearly all cinematic adaptations of Hamlet, Ophelia's role is the one most radically reduced by directors: her soliloquy is frequently excised, her remaining lines are abbreviated, her appearances ...
Communal Heritage vs. Crucible of Honor:The Function of Audience in Olivier's & Branagh's Henry V
Audience film Olivier Branagh Shakespeare Henry V
2009/11/27
In a discussion of the two films of Shakespeare’s Henry V by Laurence Olivier (1944) and Kenneth Branagh (1989), I identify how the function, portrayal, and construction of various audiences in each f...
埃玛纽埃尔·奥里维(Emmanuel Olivier)曾于里尔国立音乐学院及布鲁塞尔皇家音乐学院学习。之后在巴黎高等音乐学院学习,并获得“钢琴、声乐伴奏及歌唱指导高等教育文凭”学习期间获得室内音乐比赛一等奖。
Simultaneous Contrast and Additive Designs in Olivier Messiaen’s Opera, Saint François d’Assise
abstract painting Delaunay Messiaen Saint Franç ois d’Assise sound-color relationships structural levels multi-layered textures colored-hearing synesthesia
2010/3/29
Olivier Messiaen admired the painter Robert Delaunay for his use of simultaneous contrast in his pictures. As a composer, Messiaen claimed that he used the musical equivalent of simultaneous contrast ...