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Re-Membering the (W)holes: Counter-memory, Collective Memory, and Bergsonian Time in Anne Michaels’ Miner’s Pond
Collective Memory Re-Membering Bergsonian Time
2014/1/15
Anne Michaels’ collection of poems, Miner’s Pond (1991), constitutes a "living" monument in art, a deeply committed post-holocaust testament to memory in an epoch that Alexander and Margaret Mitscherl...