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In his commentary on my article, "More on Handel and the Hemiola," David Schulenberg favors a historically informed, intertextual approach to the analysis of relatively unfamiliar works, one that hing...
Channan Willner's article discusses hemiola from the vantage point of an omniscient analyst armed with a score. This commentary asks several questions about such an approach when applied to relatively...
To the three categories of hemiolas I identified in an earlier study I add a fourth, overlapping hemiolas. Particularly in the Baroque repertoire, and especially in the works of Handel, there are freq...

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