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Cognitive Dissonance and the Performer’s Inner Conflict: A New Perspective on the First Movement of Beethoven’s Op. 101
cognitive dissonance embodiment image schemata performance analysis Beethoven Op. 101 Robert Hatten
2010/3/25
Much of Beethoven’s music—especially that of the late period—demands that the performer follow interpretive markings that seem to be musically counterintuitive. Conflict between the competing desires ...
The Performer as Analyst
Chopin Sonata No.2 Analysis Performance Recording Cortot Pogorelich Kempff Rachmaninov Pletnev
2010/3/25
This paper presents five recordings of the fourth movement of Chopin’s Piano Sonata in B-flat minor Op. 35. Rather than looking at the performer as an instrument of the analyst, the author demonstrate...
The Performer's Voice: Performance and Analysis in Ravel's Concerto pour la main gauche
Ravel concerto cadenza performance performer analysis recording rhythm
2010/3/25
[1] Janet Schmalfeldt, in her ground-breaking article "On the Relation of Analysis to Performance" (1985, 2), challenges analysts to develop "a comprehensive critique of the value and the limitations ...