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平顶山学院英语视听说课件Book3Unit11 The Cinema
Pictures and cinema seen at a slant present the optics of virtual objects that are distorted and incon-sistent with their real counterparts. In particular, it should not be possible for moving objects...
On the efficacy of cinema, or what the visual system did not evolve to do. In S. Ellis.
The author of two documentary and nine fiction films made over a period of twenty-five years, Ousmane Sembene is presently one of Africa's leading writers as well as the continent's best-known film di...
It is said that the movies, and more recently TV, are a school in which males learn the strategies and discourse of sexual engagement. How much more complex the situation has become in the last few de...
This dissertation analyzes the post-conflict cinema in the region of the former Yugoslavia, and the way that this particular form of cultural production establishes affective regimes within which bear...
《VISUAL PLEASURE AND NARRATIVE CINEMA》。
This essay explores the subject of the aversion of intellectuals to the market economy through a study of the Italian cinema of the early 1960s. The impact of Italy's ‘economic miracle’ on coeval cine...
This paper aims to introduce utilities and dangers using ICT in teaching cinema. As digital convergence offered new opportunities in many fields, it stressed the needs to make some reflections and con...
Digital Cinema is a promising application that utilizes high-speed optical networks to transfer super high definition images. The networks are primary used for distributing packet data of digital cine...
Using a 4-viewer Autostereoscopic 3D Home Theater display system, a radically designed projection screen film system coupled with a conventional projection display is herein presented and shown to pro...
The essays gathered together in the anthology Youth Culture in Global Cinema investigate the ways in which film texts from a variety of national cinemas construct the concepts of adolescence and adole...
This collection of fifteen essays focuses upon a range of films that invites the question as to how each contributor understands the rubric of both "queer" and "British". As Kenneth MacKinnon observes...

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