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Venerable Style, Form, and the Avant-Garde in Mozart’s Minor Key Piano Sonatas K. 310 and K. 457: Topic and Structure
Venerable Style From the Avant-Garde Mozart’s Minor Key Piano Sonatas K. 310 and K. 457 Topic and Structure
2014/10/20
Although the topoi and elements of what has been described as the “Venerable Style” (V.S.) are found in many places in Mozart’s solo keyboard sonatas, the obsessive juxtaposition of these elements aga...
Inventing Wifredo Lam: The Parisian Avant-Garde's Primitivist Fixation
Inventing Wifredo Lam The Parisian Avant-Garde's Primitivist Fixation
2009/11/27
Wifredo Lam arrived in France in the late 1930s, a time of increasing political and social turmoil. In this period of national insecurity, race served as a visible determinant of the other. The French...
In Search of the Forme-Pensée: The Influence of Theosophy on Belgian Artists, Between Symbolism and the Avant-Garde (1890–1910)（图）
the Forme-Pensée Theosophy Belgian Artists Symbolism and the Avant-Garde
2009/11/20
Assuming that there are points in common between Symbolism and the avant-garde, little interest has been shown to date in studying these connections. From the point of view of historians of the ninete...
This paper receives its impetus from Gadamer's account of effective history (Wirkungsgeschichte) and his corresponding challenge to the 'problem of purity' that he locates in Kant's critique of aesthe...
The Challenge of the Changing Same: The Jazz Avant-Garde of the 1960s, the Black Aesthetic and the Black Arts Movement
Jazz Avant-Garde Black Arts Movement Black Aesthetic
2008/10/29
This essay focuses on the relationship between writers associated with the Black Arts Movement in the United States and the experimental directions in jazz that occurred during the 1960s, the decade g...