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Nicholas Cook, The Schenker Project. Culture, Race, and Music Theory in Fin-de-siècle Vienna (2007)
Fin-de-siècle Vienna Culture Race Music Theory
2009/10/16
!(R)Our principal and perhaps oly responsibility, I would argue, is to understand!afor
to understand is not to condone, while to condemn without understanding is futile!ˉ
(147). This sentence, alrea...
Kevin C. Karnes, Music, Criticism, and the Challenge of History：Shaping Modern Musical Thought in Late Nineteenth-Century Vienna (2008)
Kevin C. Karnes Criticism Modern Musical Late Nineteenth-Century Vienna
2009/10/16
A glance at the table of contents of Music, Criticism, and the Challenge of History!aan
introduction and epilogue framing two chapters each devoted to three pivotal figures,
Eduard Hanslick, Guido ...
Photo Paul Kolnik
Music
Tales from the Vienna Woods, Op. 325 (1868), Voices of Spring, Op. 410 (1885), Explosions Polka, Op. 43 (1848) by Johann Strauss, Jr.; Gold and Silve...
In Vienna´s Art World, Nuclear Science Feeds a "Happy End"(图）
Vienna´ s Art Nuclear Science
2007/3/8
26 February 2007，Boldly stolen and then buried deep in an Austrian forest, the 16th century golden masterpiece called the Saliera has found its way into the hands of nuclear detectives and 21st centur...
Review of the 3rd Congress for Music Theory, Vienna, Austria, May 10-12 1996
compositional technique analysis perception Schubert Schumann tempo rhythm meter
2010/4/21
In his last year as teacher at the University of Music and Dramatic Arts in Vienna, Austria, Diether de la Motte organized a congress with the title "Time in Music--Music in Time."