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Nightmare Japan: Contemporary Japanese Horror Cinema
Nightmare Japan Contemporary Japanese Horror Cinema
2009/12/7
It seems that Japanese cinema has long been a staple of non-Western film studies, but the majority of scholarship has typically focused on the work of a few canonised directors. The Western market for...
Shadows and Bogeymen:Horror,Stylization and the Critical Reception of Orson Welles during the 1940s
Critical reception horror Orson Welles studies of film genre and authorship
2009/11/27
The article discusses Welles’s critical reception during the 1940s, and demonstrates the ways in which he was understood as a horror star. In the process, it argues that his films illustrate the close...
Gothics and Grand Guignols:Violence and the gendered Aesthetics of Cinematic Horror
cinematic horror aesthetics emotional affect female audience responses
2009/11/27
This paper discusses a feminine aesthetic of cinematic horror informed by ethnographic study of the female horror film audience. In particular, this analysis of audience responses focuses on genre sty...
In his book The Pleasures of Horror, Matt Hills attempts to assess the ways and means by which
pleasure is gained by audiences from horror texts. By looking at previous approaches to the study of the...
Deleuze and Horror Film
Deleuze Horror Film
2008/12/8
It is often difficult to review a book that has as its goal to supply a new "approach" in a field already bursting at the seams with methodologies, ways of reading, modes of analysis, interpretative s...
听过周杰伦的《威廉古堡》吗？这个电影比歌里唱的还要诡异。古堡主人佛特博士创造了科学洛基，他们各自追求误闯进来的一对年轻情侣，展开一连串不可思议的性爱历险。原来古堡是外星人的太空船，他们正在进行变性实验！本片根据理查德·奥布莱恩的音乐剧改编，开始只在一些小影院做午夜场放映，没想到口碑盛传，越映越红。片中的音乐融合了摇摆乐、摇滚、爵士等多种完全不同的类型，人物造型极其前卫怪诞，有不少观众居然看过一百次...