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Three of The University of Queensland’s largest music ensembles will take to the stage this weekend at the Queensland Performing Arts Centre’s Concert Hall.
The Sound of Time is not tick tock: The Loop as a Direct Image of Time in Noto’s Endless Loop Edition (2) and the Drone Music of Phill Niblock
The Sound of Time is not tick tock The Loop as a Direct Image of Time Noto’s Endless Loop Edition (2) the Drone Music of Phill Niblock
2009/11/27
There are, in Gilles Deleuze and Felix Guattari’s formulation, two possible ways to conceive of time. There is, firstly, “Chronos: the time of measure that situates things and persons, develops a form...
Mihi
Ko Ranginui koe te hauora
Ko Papatuanuku koe te wai u
Ko Tane koe te tai ao
Ko Rongo koe te hua
Ko Tangaroa koe te rehu tai
Ko tu koe o te mauri oho
E whakarara e nga matauranga
Puoro oro...
African Music Creativity and Performance：The Science of the Sound
African Music Creativity Performance Science of the Sound
2008/11/6
What we believe we see or hear is often far from the truth of what we are seeing or hearing. What we know we feel is often merely a sign of what we do not know is happening to us. Without cognitive un...
“What I Call a Sound”: Anthony Braxton’s Synaesthetic Ideal and Notations for Improvisers
Anthony Braxton Notations Synaesthetic Ideal Improvisers
2008/10/27
In this article I look at some of the visual elements in Anthony Braxton’s music and examine how he uses graphic and symbolic notations in particular to initiate fresh approaches to improvisation.
Guildford International Music Festival presents Sculpted Sound, an Inter Faith Concert
International Music Festival Concert
2007/3/20
07 March 2007，On Friday 9 March, from 7:00 p.m at Guildford Cathedral, the Guildford International Music Festival will commence with Sculpted Sound, an inter-faith concert, featuring works by four com...
Chopin’s Prelude in C Major Revisited: Integrating Sound and Symbol
performance analysis Chopin Prelude intersections digressions
2010/3/25
This article presents comparisons of several recordings and analyses of Chopin’s Prelude in C Major, Op. 28, No. 1. My intent is to demonstrate how including recordings in the analytical process provi...