搜索结果: 1-13 共查到“音乐学 voice”相关记录13条 . 查询时间(0.054 秒)
A Geometrical Approach to Two-Voice Transformations in the Music of Bela Bartok
A Geometric Approach Two-Voice Transformations the Music of Bela Bartok
2014/10/20
A new analytical tool called “voice-leading class” is introduced that can quantify on an angular scale any transformation mapping one pitch dyad onto another. This method can be applied to two-voice, ...
Voice Leadings as Generalized Key Signatures
voice leading key signature pitch-class interval pitch-class space path in pitch-class space voice crossing minimal voice leading common-tone retention interscalar path matrix acoustic scale Western musical notation
2010/3/25
A key signature is a collection of paths in pitch-class space. As such, it
provides a powerful tool for thinking about voice leading, one that can be used to answer
familiar objections to the ver...
Birdcage Flights: A Perspective on Inter-Cardinality Voice Leading
Voice leading transformation neo-Riemannian theory parsimonious graphs
2010/3/24
This study explores connections between trichords and tetrachords from a voice-leading perspective. It begins with a definition of a voice-leading relation that draws from the work of Callender, Douth...
Excerpt
is meant by indirect control, involuntary, automatic action.
One could write indefinitely on the peculiarities of voice training, the unique suggestions made, the mechanical instructions ...
One of the most encouraging signs of the growth of musical taste and understanding at the present time as regards the singing of children, is the almost unanimous acquiescence of choirmasters, supervi...
“Plays of Opposing Motion”: Contra-Structural Melodic Impulses in Voice-leading Analysis
Schenker Kurth energetics melodic analysis
2010/3/24
Rameau’s privileging of harmony over melody may be set against the pendulum swing of Kurth’s pure melodic energy. Although Schenker’s theory clearly identifies linear motion as governed by harmony, Sc...
The Black Muse：Polish Hip-Hop as the Voice of “New Others” in the Post-Socialist Transition
Polish hip− hop The Black Muse Post-Socialist Transition
2009/6/16
Polish hip−hop, with its origins and evolution, confirms the link between hip−hop and social exclusion. Its
history coincides with the transition from socialism to democracy and the free&...
Characterisation of Voice Quality in Western Lyrical Singing:from Teachers’ Judgements to Acoustic Descriptions
Voice quality perception cognitive representation semantics timbre singing verbal description acoustic description
2008/10/30
This pilot study aims at defining the
notion of voice quality in Western lyrical
singing and seeks significant and objective
criteria to characterise it, from both cognitive
and acoustic points of...
Exploring Relationships between the Kinematics of a Singer’s Body Movement and the Quality of Their Voice
Embodied cognition motion-capture singing computational analysis
2008/10/30
Background in music psychology. Physical movement plays an important role in musical
perception and production. It is generally agreed among professional singers and vocal
teachers, for example, tha...
Effect of Voice Change on Singing Pitch Accuracy in Young Male Singers
Boys’ changing voice pitch-break voice-break singing-pitch accuracy
2008/10/30
Background in music performance and pedagogy. During the voice-change process, singing
for adolescent boys may become more difficult and unpredictable. Many boys cease singing
when they reach pubert...
Towards a common terminology to describe voice quality in Western lyrical singing:Contribution of a multidisciplinary research group
Voice quality verbal description listening training listening sheet
2008/10/30
dedicated to voice quality description. Among the many terms, some are used with consistent
meaning by virtually all voice specialists, whereas others, which are more metaphorical or
aesthetic, have...
Francesco’s Dream: Musical Logic in Landini’s Three-Voice Ballate
Landini ballata medieval music William of Ockham
2010/3/24
Francesco Landini composed a dream-vision in Latin verse, in which he evinces intimate knowledge of works by the logician William of Ockham. Exploring the logic aspect of the dream-vision, as opposed ...
The Performer's Voice: Performance and Analysis in Ravel's Concerto pour la main gauche
Ravel concerto cadenza performance performer analysis recording rhythm
2010/3/25
[1] Janet Schmalfeldt, in her ground-breaking article "On the Relation of Analysis to Performance" (1985, 2), challenges analysts to develop "a comprehensive critique of the value and the limitations ...